From Squire to Squatter: A Tale of the Old Land and the New — Text and Context
Edition facts
The catalog record for From Squire to Squatter: A Tale of the Old Land and the New — Text and Context provides practical reading context through 88,648 words, 6 hr 26 min estimated reading time, and 9 detected text sections.
The text analysis averages about 17.2 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Australia -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
Burley was sometimes asked by comparative strangers, but as nobody could or cared to answer explicitly, it was let drop. Something in the South, in or about London, or Deal, or Dover, but what did it matter? he was "a jolly good fellow--ay, and a gentleman every inch." Such was the verdict.
A gentleman the Squire undoubtedly was, though not quite the type of build, either in body or mind, of the tall, bony, and burly men of the North--men descended from a race of ever-unconquered soldiers, and probably more akin to the Scotch than the English.
Sitting here in the green parlour to-night, with the firelight playing on his smiling face as he talked to or teased his eldest boy, Squire Broadbent was seen to advantage. Not big in body, and rather round than angular, inclining even to the portly, with a frank, rosy face and a bold blue eye, you could not have been in his company ten minutes without feeling sorry you had not known him all his life.
Amiability was the chief characteristic of Mrs Broadbent. She was a refined and genuine English lady. There is little more to say after that.
But what about the Squire's new-fangled notions? Well, they were really what they call "fads" now-a-days, or, taken collectively, they were one gigantic fad. Although he had never been in the agricultural interest before he became Squire, even while in city chambers theoretical farming had been his pet study, and he made no secret of it to his fellow-men.
"This uncle of mine," he would say, "whom I go to see every Christmas, is pretty old, and I'm his heir. Mind," he would add, "he is a genuine, good man, and I'll be genuinely sorry for him when he goes under. But that is the way of the world, and then I'll have my fling. My uncle hasn't done the best for his land; he has been content to go--not run; there is little running about the dear old boy--in the same groove as his fathers, but I'm going to cut out a new one."
The week that the then Mr Broadbent was in the habit of spending with his uncle, in the festive season, was not the only holiday he took in the year. No; for regularly as the month of April came round, he started for the States of America, and England saw no more of him till well on in June, by which time the hot weather had driven him home.
But he swore by the Yankees; that is, he would have sworn by them, had he sworn at all. The Yankees in Mr Broadbent's opinion were far ahead of the English in everything pertaining to the economy of life, and the best manner of living. He was too much of a John Bull to admit that the Americans possessed any superiority over this tight little isle, in the matter of either politics or knowledge of warfare. England always had been, and always would be, mistress of the seas, and master of and over every country with a foreshore on it. "But," he would say, "look at the Yanks as inventors. Why, sir, they beat us in everything from button-hook. Look at them as farmers, especially as wheat growers and fruit raisers. They are as far above Englishmen, with their insular prejudices, and insular dread of taking a step forward for fear of going into a hole, as a Berkshire steam ploughman is ahead of a Skyeman with his wooden turf-turner. And look at them at home round their own firesides, or look at their houses outside and in, and you will have some faint notion of what comfort combined with luxury really means."
It will be observed that Mr Broadbent had a bold, straightforward way of talking to his peers. He really had, and it will be seen presently that he had, "the courage of his own convictions," to use a hackneyed phrase.
He brought those convictions with him to Burley, and the courage also.
Why, in a single year--and a busy, bustling one it had been--the new Squire had worked a revolution about the place. Lucky for him, he had a well-lined purse to begin with, or he could hardly have come to the root of things, or made such radical reforms as he did.
When he first took a look round the farm-steading, he felt puzzled where to begin first. But he went to work steadily, and kept it up, and it is truly wonderful what an amount of solid usefulness can be effected by either man or boy, if he has the courage to adopt such a plan.
A CHIP OF THE OLD BLOCK.
The novel opens not with a storm or a ship, but with a fireside conversation about age. Ten-year-old Archie declares he will soon be a man, while his frail brother Rupert, aged nine, speaks of wanting to be "very old, and very wise." The parents listen with "fond pity," and the fire—described with bark and lichen—is as vivid as any character. This domestic scene, set at Burley Old Farm, establishes a pattern: the book moves between intimate family moments and broader adventures, but the excerpts suggest the emotional weight stays with the brothers' contrasting temperaments.
The Brothers' Voices
The excerpts give us two distinct child characters. Archie is robust, practical, and eager to grow up: "Ten to-morrow. Quite old, isn't it?" Rupert, by contrast, is described with a "thin, pale, old-fashioned face" and "big, dark, dreamy eyes." He quotes Solomon and falls out of conversation. The narrator does not explain Rupert's illness, but the parents' "shade of melancholy" hints at a concern that remains unspoken. Later, in Australia, Archie is called "the young Squire" by his friend Bob, suggesting he has retained a social identity even in a new land. The brothers' voices—one outward, one inward—are the novel's quiet engine.
Roughness and Refinement in Australia
When Archie and Bob visit Mr. Winslow, the dialogue turns on class and manners. Archie calls Winslow a "shell-back" and compares him to "warty old lobsters," while admitting Winslow's daughter Etheldene is "a little angel." Bob, a former sailor, is told he has "a bit of the bur-r-r of Northumbria" in his speech and that mixing with the world has improved him. The scene underlines a theme: in the colonies, social lines blur. Bob dresses carefully for the visit, and his wife Sarah admires him, saying "you does look stunning!" The grammar is deliberately rough, but the affection is genuine. The book seems interested in how people carry—or shed—their old-country identities.
Scenery as Sentiment
The excerpts include a long passage about rowing in a bay, with "the lovely chain of houses, the woods, and mansions half hid in a cloudland of soft greens and hazy blues." The narrator steps in to say that if such scenes with "a contented mind, a good appetite, and the certainty of an excellent dinner" did not constitute happiness, then he does not know what does. This direct authorial comment is characteristic of Stables' style: the landscape is not just backdrop but a moral and emotional state. The fire at Burley Old Farm is described with similar care—"huge logs of wood, mingled with large pieces of blazing coals and masses of half-incandescent peat." Setting does heavy work in this novel.
The Catalog's Mismatch with the Excerpts
The catalog lists thirteen subjects, from "Australia -- Juvenile fiction" to "Courtship -- Juvenile fiction" and "Parent and child -- Juvenile fiction." The excerpts do touch on parent-child dynamics and Australia, but "courtship" appears only as a joke about Archie being "kind o' gone on" a fourteen-year-old. "Sailors" and "sea voyages" are present in Bob's background but not in the action shown. "Sick children" is accurate for Rupert, but the excerpts give him only a few lines. The catalog's breadth suggests a packed plot, but the writing itself lingers on small moments: a child's question, a fire's crackle, a rowboat at sunset. Readers expecting non-stop adventure may find a more reflective book.
The excerpts offer a novel that moves slowly and observes closely. Readers who enjoy period detail and character over plot will find much to appreciate. The book's title promises a transformation from English squire to Australian squatter, but the fragments suggest the change is as much internal as geographical. Pay attention to the firelight, the invalid couch, and the way characters speak about age and wisdom—these small notes may carry the story's real weight.
I keep thinking about how that Stables tale lingered—those twins trading one quiet English start for a rougher, wider world, yet still carrying that old warmth inside. It reminded me of a gentler kind of lingering found in The Little Colonel's Holidays — Edition Insights—the way some places and people stay with you long after the last page, like a memory you revisit without meaning to.
There are no reviews for this eBook.
Record your reading impressions
A brief reflection can help important ideas stay with you longer.