The Automobile Girls at Palm Beach; Or, Proving Their Mettle Under Southern Skies — Reading Notes
Edition facts
The Automobile Girls at Palm Beach; Or, Proving Their Mettle Under Southern Skies — Reading Notes can be approached with a clearer sense of reading commitment from its source measurements: 45,539 words, 3 hr 18 min estimated reading time, and 21 detected text sections.
The text analysis averages about 12.4 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Vacations -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
There was a brief silence. The four girls stared straight ahead and tried to control their desire to laugh. During their stay at Lenox the year before the circumstances of which having been fully told in the "Automobile Girls in the Berkshires," they had not been impressed with Maud Warren, on account of her disagreeable and overbearing manner. But the blase air that she now affected, was in their candid eyes extremely ridiculous, and her remark to Ruth had filled them all with unseemly mirth.
Maud Warren, however, serenely unconscious of what was passing through their minds, sank into a wicker chair, and deliberately turning her back upon the "Automobile Girls," began a conversation with Miss Sallie.
The "Automobile Girls" dated their organization back to almost two years before, when Barbara Thurston had bravely stopped a runaway team of horses driven by Ruth Stuart, a rich western girl, summering in Kingsbridge, the home town of the Thurstons.
A warm friendship had sprung up between Ruth Stuart, Barbara and Mollie Thurston, that resulted in a journey to Newport in Ruth's red motor car, familiarly known as Mr. A. Bubble. Grace Carter, a Kingsbridge girl, had been asked to complete the quartette of adventurous damsels, while Miss Sallie Stuart, Ruth's aunt had gone along as chaperon.
After a series of remarkable events their trip ended with the capture of a society "cracksman," known to the police as the "Boy Raffles." The "Automobile Girls" then returned to Kingsbridge, where several weeks later, Mr. A. Bubble once more bore them away to the heart of the Berkshires. There they spent a delightful month, in a little log cabin, roughing it. In "The Automobile Girls in the Berkshires," the story of the little Indian "ghost" that haunted "Lost Man's Trail," and who afterwards turned out to be an Indian princess is charmingly related.
After a winter of hard study, the "Automobile Girls" were again reunited, and in "The Automobile Girls Along the Hudson," their journey through the beautiful Sleepy Hollow Country is narrated. The eventful weeks spent in the ancestral home of Major Ten Eyck, an old friend of Miss Sallie Stuart's, ending with their brave fight to save the beautiful old house from destruction by forest fires, made the "Automobile Girls" stand out as true heroines.
The best work since their initial adventure, however, had been done in Chicago, and the record of it, set down in "The Automobile Girls at Chicago," was not yet three months old. While on a holiday visit to Ruth, at her Chicago home, they had been the guests of the Presbys, relatives of the Stuarts, at their country place "Treasureholme." Owing to imprudent speculation in wheat, both Mr. Stuart and Mr. Presby had become heavily involved and were facing financial ruin. Through the efforts of Barbara Thurston, aided by the other "Automobile Girls" the rich treasure, buried by one of the ancestors, was discovered in time to save the Presby estate.
Before leaving Chicago, Mr. Stuart had promised his daughter and her friends a sojourn at Palm Beach during the month of March. Now the "Automobile Girls" had actually arrived in the "Land of Flowers" eager for any pleasure that sunny Florida might yield them.
The four young girls were unusually quiet as they sat idly looking out over the water. Maud Warren's arrival had cast a chill over them.
It had been an enchanted land, Barbara reflected rather resentfully, now the enchantment was broken.
Ruth sat covertly taking stock of Miss Warren's elaborate white lace gown and wondering why young girls ever insisted on aping so called "society" fashions. While Mollie and Grace speculated as to how long a call the Warrens were going to make.
Maud, totally oblivious that she had been weighed in the balance by four stern young judges, and found wanting, languidly conversed with Miss Stuart, in her most grown-up manner.
"Have you met the De Lancey Smythes, Miss Stuart?" she drawled. "They are too utterly charming. Mrs. De Lancey Smythe belongs to an old, old Southern family. She is a widow, with one daughter, Marian, a most delightful young woman. It was only through them that I was persuaded to come here."
"Indeed," replied Miss Sallie. "We arrived yesterday. Therefore we have met no one, as yet."
"Of course not," agreed Maud. "You really must meet them!"
"I should be pleased to meet any friends of yours, Miss Warren," replied Miss Stuart courteously.
The opening chapter, “The Land of Dreams,” establishes a leisurely tone as the four friends—Mollie, Ruth, Grace, and Barbara—lounge on a hotel piazza, debating whether to motor, sail, or simply listen to music. The dialogue is light and fashion-conscious: Ruth declares it “the witching hour for pineapple lemonades,” and the girls promptly order drinks. Yet the catalog subjects list “Swindlers and swindling” and “Mystery and detective stories,” which do not surface in these early pages. Instead, the narrative dwells on the girls’ comfort and the social scene, with Mr. Stuart reading a days-old newspaper and Barbara lost in a daydream.
A Chase and a Near-Miss
The second excerpt shifts abruptly from idyll to peril. Ruth spots Monsieur Duval driving a small car and decides to “beat him to the countess’s house.” She accelerates, but Duval swerves directly into her path. The description is tense and specific: Ruth “put on the full stop brake” and her car stops “just one foot this side” of the other vehicle. The girls scream; Bab cries out. This chase sequence is the most dramatic action in the excerpts, yet the catalog does not list “Automobile racing” or “Thrillers” as subjects. The near-collision is presented as a deliberate trick by Duval, hinting at antagonism, but the catalog’s “Swindlers and swindling” label is not yet justified by the text—Duval’s motives remain unclear.
The Countess and the Intruder
When the girls arrive at the Countess Sophia von Stolberg’s villa, they find Duval already there, having outrun them. The countess, who had been playing a Chopin nocturne, meets him on the veranda. Duval claims to bring “news of a friend,” but the countess denies knowing any such friend. Her voice “trembled slightly,” and she orders him to leave. The catalog subject “Princesses -- Juvenile fiction” may loosely apply to the countess (a title, though not a princess), but the excerpts show her as a young woman living alone with a companion, Madame de Villiers, and a servant named Johann. The mystery here is social and conversational, not criminal—no swindle or detective work is evident. The catalog’s “Mystery and detective stories” seems premature based on these scenes.
Setting and Social Detail
The excerpts are rich in period atmosphere: wicker chairs, awnings, iced fruit drinks, white suits, and a “cocoanut grove.” The girls are consistently called “the Automobile Girls” by Mr. Stuart, and they travel in a “great car” that contrasts with Duval’s “small car.” The setting—Palm Beach, Lake Worth—is painted as a place of leisure, not crime. The catalog subjects “Vacations -- Juvenile fiction” and “Automobile travel -- Juvenile fiction” fit well, but “Swindlers and swindling” and “Mystery and detective stories” are not supported by the provided text. The only hint of intrigue is Duval’s unexplained behavior and the countess’s nervousness. Readers expecting a detective plot may find the opening chapters more concerned with social manners and mild adventure.
The excerpts reveal a story that balances leisurely vacation scenes with sudden, high-stakes driving. The catalog’s emphasis on mystery and swindling may reflect later developments, but the opening chapters focus on character dynamics and setting. Readers should approach the book as a period piece of early motoring and friendship, with suspense that builds gradually rather than from the first page.
I found myself thinking about the quiet weight of a road trip—four girls in that old automobile, the Florida sunshine and strangers who aren’t quite what they seem. It reminded me of the way camping feels in Dan Carter, Cub Scout, and the River Camp — A Closer Reading, that same mix of adventure and unease between friends. Some stories stay with you like a familiar scent.
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