Frank Merriwell's Alarm; Or, Doing His Best — Inside the Classic

(6 User reviews)   709
Standish, Burt L., 1866-1945 Project Gutenberg 2011 Not confirmed
Adventure stories; College students -- Juvenile fiction; West (U.S.) -- Juvenile fiction; Merriwell, Frank (Fictitious character) -- Juvenile fiction; Bicycle touring -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 53,395
Reading time 233 min
Text sections 6

Frank Merriwell's Alarm; Or, Doing His Best — Inside the Classic can be approached with a clearer sense of reading commitment from its source measurements: 53,395 words, 3 hr 53 min estimated reading time, and 6 detected text sections.

The text analysis averages about 12.0 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Adventure stories,” connecting these edition facts with the source record’s subject description.

In this installment of the Merriwell series, Frank faces a dwarf antagonist named Apollo, rescues a friend from drowning, and encounters a mysterious 'fairy' in the woods, blending outdoor adventure with moral resolve.
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Editorial Edition Score 4.7/5

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Read the Text

ADRIFT IN THE DESERT.

Once more the bicycle boys pushed on westward, and it must be said that in spite of all their perils they were in the best of spirits.

The beautiful valley in Utah was left behind, and some time later found them on the edge of the great American Desert.

Water was not to be had, and they began to suffer greatly from thirst.

The thirst at last became so great that nearly all were ready to drop from exhaustion.

Toots was much affected, and presently he let out a long wail of discouragement.

"Land of watermillions! mah froat am done parched so I ain't gwan teh be able teh whisper if we don' find some warter po'erful soon, chilluns! Nebber struck nuffin' lek dis in all mah bawn days--no, sar!"

"You're not the only one," groaned Bruce. "What wouldn't I give for one little swallow of water!"

"We must strike water soon, or we are done for," put in Jack.

Toots began to sway in his saddle, and Frank spurted to his side, grasping him by the arm, as he sharply said:

"Brace up! You mustn't give out now. The mountains are right ahead, and----"

"Lawd save us!" hoarsely gasped the darky. "Dem dar mount'ns had been jes' as nigh fo' de las' two houah, Marser Frank. We don' git a bit nearer 'em--no, sar! Dem mount'ns am a recepshun an' a delusum. We ain't nebber gwan teh git out ob dis desert--nebber! Heah's where we's gwan teh lay ouah bones, Marser Frank!"

"You are to blame for this, Merriwell," came reproachfully from Diamond. "You were the one to suggest that we should attempt to cross instead of going around to the north, and----"

"Say, Diamond!" cried Harry; "riv us a guest--I mean give us a rest! You were as eager as any of us to try to cross the desert, for you thought we'd have it to boast about when we returned to Yale."

"But we'll never return."

"Perhaps not; still I don't like to hear you piling all the blame onto Merry."

"And you seconded the suggestion. We started out with a supply of water that we thought would last----"

"We should have known better!"

"Perhaps so, but that is the fault of all of us, not any one person. You are getting to be a regular kicker of late."

Jack shot Harry a savage look.

"Be careful!" he said. "I don't feel like standing too much! I am rather ugly just now."

"That's right, and you have been the only one who has shown anything like ugliness at any time during the trip. You seem to want to put the blame of any mistake onto Merry, while it is all of us----"

"Say, drop it!" commanded Frank, sharply. "This is no time to quarrel. Those mountain are close at hand, I am sure, and a last grim pull will take us to them. We will find water there, for you know we were told about the water holes in the Desert Range."

"Those water holes will not be easy to find."

"I have full directions for finding them. After we get a square drink, we'll feel better, and there'll be no inclination to quarrel."

"Oh, water! water!" murmured Browning; "how I'd like to let about a quart gurgle down past my Adam's apple!"

"Um, um!" muttered Rattleton, lifting one hand to his throat. "Why do you suppose a fellow's larynx is called his Adam's apple?"

"Nothing could be more appropriate," declared Bruce, soberly, "for when Adam ate the apple he got it in the neck."

Something like a cackling laugh came from Harry's parched lips.

Diamond gave an exclamation of disgust.

"This is a nice time to joke!" he grated, fiercely.

"The matter with you," said Rattleton, "is that you've not got over thinking of Lona Ayer, whom you were mashed on. You've been grouchy ever since you and Merry came back from your wild expedition into the forbidden Valley of Bethsada. It's too bad, Jack----"

"Shut up, will you! I've heard enough about that!"

"Drop it, Harry," commanded Frank, warningly. "You've worn it out. Forget it."

"Great Scott!" grunted Browning. "I believe my bicycle is heavier than the dealer represented it to be."

"Think so?" asked Rattleton.

"Then give it a weigh."

Browning's wheel gave a sudden wobble that nearly threw him off.

"Don't!" he gasped. "It's not original. You swiped it from the very same paper that had my Adam's apple joke in it."

"Well, it was simply a case of retaliation."

From the opening pages, Frank Merriwell's Alarm plunges readers into a world where physical peril and moral clarity are tightly interwoven. The excerpt shows Frank dragging a watersoaked Harry Rattleton to shore after a stone-throwing attack by a dwarf named Apollo. Frank's internal monologue—"You must do it, Merriwell!"—reveals a protagonist who treats self-rescue as a command. The narrative voice is brisk, favoring action over introspection, and the setting shifts rapidly from a lake to a rocky bluff to a shrubbery hiding place.

A Dwarf Antagonist and the Threat of Violence

The dwarf Apollo is introduced not as a comic figure but as a genuine menace. He hurls stones from a bluff while Frank struggles in the water, and later peers from shrubbery with a "pale, horrible face." The text emphasizes the danger: if Frank had been struck on the head, "it must have ended the whole affair." Apollo's persistence—he returns after fleeing—creates a pattern of threat and evasion. Unlike many juvenile series villains who are buffoons, Apollo is described as calculating, using the terrain to his advantage. His name, borrowed from classical mythology, contrasts sharply with his grotesque appearance and behavior, hinting at a deliberate inversion of beauty and ugliness. The dwarf's role appears to be more than a simple obstacle; he is a recurring source of physical harm, and Frank's pursuit of him suggests a subplot of pursuit and retaliation.

Frank's Internal Code and Physical Endurance

Frank's actions are driven by a self-imposed code: "Both or none!" He refuses to abandon Harry even when exhaustion threatens to drown them both. The narrative dwells on the physical cost—"watersoaked garments," "desperate battle," "utterly exhausted"—making the rescue feel earned rather than effortless. Frank's determination is framed as a conscious choice: "Purely by his power of determination he succeeded." This emphasis on willpower over luck or skill is a recurring motif. After reaching shore, Frank immediately tends to Harry's wound, then springs up to chase Apollo again. The sequence shows a character who cannot rest while a threat remains. His disgust at Apollo's escape is palpable, and his search for the dwarf suggests a relentless, almost obsessive drive to neutralize danger.

The Enigmatic 'Fairy' and Shifts in Tone

After Frank leaves Harry alone, he returns to find Harry bandaged and speaking of a "fairy, the nymph, the beautiful queen of the woods." Frank's reaction—"By Jove! that crack on the head has knocked him daffy!"—introduces a note of comic skepticism. The juxtaposition is striking: the gritty rescue and pursuit of a violent dwarf are followed by a delicate, almost fantastical encounter. Harry's insistence that a beautiful woman appeared and tended his wound contrasts with the earlier brutality. The text leaves the identity of this figure ambiguous; Frank dismisses it as a hallucination, but the narrative does not confirm or deny. This sudden shift in register—from physical struggle to ethereal mystery—suggests that the book may alternate between adventure and romance, or between realistic danger and idealized rescue. The reader is left to wonder whether the fairy is real, a delusion, or a setup for a later revelation.

Readers should pay attention to how the book balances Frank's active, problem-solving approach with moments of unexplained wonder. The dwarf Apollo and the mysterious fairy represent opposite poles of threat and allure, and their recurrence may shape the story's larger arc. The excerpts offer no resolution to either thread, leaving the reader to discover whether Frank's alarm—literal or figurative—will lead him to confront both dangers.

There’s something steadying about Frank facing that dwarf Apollo, still choosing the plain right thing. It made me think of another world entirely, one where Ruth Fielding’s warmth meets the South’s old, complicated quiet. Both feel like old friends. If you ever want to sit with that gentler resolve, well, Ruth Fielding Down in Dixie; Or, Great Times in the Land of Cotton — Themes and Context lingers like a summer afternoon.

Avery Smith
3 weeks ago

Liam Mitchell
1 month ago

Dylan Wilson
1 month ago

Daniel Moore
1 month ago

Emma Clark
4 weeks ago

4.5
4.5 out of 5 (6 User reviews )

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  • ...
    Jerry Jacobs - 1 month ago
    This book delivers the expected Merriwell charm with plenty of action and a strong sense of duty. The writing is clear and the story flows well, though the plot is somewhat predictable if you're familiar with the series. Still, it's a decent read for those who enjoy wholesome, turn-of-the-century adventure fiction.

  • ...
    Julie Walker - 3 weeks ago
    Despite the promising title, this installment feels repetitive. The conflict is contrived and the solution comes too easily, reducing tension. Also, the constant moralizing can be heavy-handed. It seems the author is relying on the series' popularity rather than offering fresh conflict. Only for devoted fans of the genre.

  • ...
    Charles Petersen - 3 weeks ago
    Frank Merriwell S Alarm Or Doing His Best is a thrilling addition to the series. The plot is fast-paced, with Frank facing a dangerous challenge that tests his courage and resourcefulness. The moral lessons are subtly woven into the narrative, making it both entertaining and inspiring. A must-read for fans of classic adventure stories!


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